Final Thoughts on Noise Pollution
As I conclude my regular contributions to Noise Pollution, I reflect on the journey that began in 2021. Initially unsure of what to expect, I set a modest goal of writing for one year, fearing I might exhaust my creative reservoir. Nearly four years later, I find myself wrapping up what has been a rewarding endeavor.
A Journey of Discovery
Throughout this column, I’ve penned approximately 200 pages filled with stories and reviews, exploring a multitude of records. My hope has always been to introduce readers to new sounds or perhaps inspire them to revisit old favorites. The experience has been overwhelmingly satisfying, and I am grateful to both past and current administrations for providing me with a platform to share my thoughts.
Reasons for Moving On
My decision to step back is not rooted in negativity; rather, it’s a matter of prioritizing my time. With various commitments pulling me in different directions, I find myself unable to devote the necessary energy to each pursuit. My Substack, which I intended to nurture, has been left unattended, while I juggle reissues for Krieg’s 30th anniversary, potential gigs, and my responsibilities as a writer, employee, and parent. Consequently, something had to give, and sadly, that is this column.
New Releases Worth Noting
Before I sign off, I want to share some exciting new releases that have been on my radar, along with a bit more reflection.
The Heretic Souvenir by Lotus Thrones
On April 4, we can look forward to “Petrichor,” the new full-length album from Pennsylvania’s Lotus Thrones. Though details remain under wraps until the release, my early impressions are overwhelmingly positive. I had the privilege of hearing a preview from Heath Rave, the mastermind behind the project, who has crafted an ambitious narrative steeped in spy noir themes. This album promises to be a compelling exploration of character and motivation, reminiscent of the likes of Nick Cave and Ian Fleming.
Vortex of the Destroyer by Svartsyn
Svartsyn, a band I have frequently lauded in this column, continues to impress with “Vortex of the Destroyer.” This release features new material alongside re-imaginings of songs from the pre-Svartsyn project, Chalice. The new tracks push boundaries while maintaining the project’s legacy, showcasing Ornias’ urgent vocal style that brings a fresh intensity to the music.
The Sacristan by MAGISTERIUM
Mark McCoy, a hidden gem in the USBM scene, presents “The Sacristan,” the debut 7-inch from his project Magisterium. Released on April 1, this collection delivers four tracks of caustic black metal, featuring visceral vocals from J. Kemp. The project exemplifies McCoy’s knack for crafting intense and engaging music, further solidifying his status as an artist worth following.
Highlighting Hate Meditations
Rather than spotlight another band, I want to draw attention to a site that deserves recognition: Hate Meditations. The author provides insightful, well-researched essays on metal culture that are both engaging and thought-provoking. His unique perspective and dry British humor offer a refreshing take on the scene, making it a valuable resource for any metal enthusiast.
Conclusion
As I bring my time with Noise Pollution to a close, I plan to shift my focus to updating my Substack, “Fuck Music,” on a weekly basis. I hope to leave the door open for potential future contributions, should inspiration strike again. Thank you to everyone who has supported me throughout this journey; I hope our paths cross again down the road.
FAQs
What prompted the conclusion of the Noise Pollution column?
The decision was largely due to being pulled in multiple directions, making it difficult to maintain the level of commitment required for the column.
Will you still be writing about music?
Yes, I plan to focus on my Substack, “Fuck Music,” where I will continue to share my thoughts and insights on music.
What are some of the key releases you recommend before signing off?
Notable releases include “Petrichor” by Lotus Thrones, “Vortex of the Destroyer” by Svartsyn, and “The Sacristan” by MAGISTERIUM.
Is there a chance you might return to Noise Pollution in the future?
While this is the final regular column, I hope to keep the door open for occasional contributions if inspiration strikes again.
