Exploring the Artistic Journey of Zach Condon and Beirut
The Unexpected Return
What would it take for an artist to revisit a place they never wanted to return to? For Zach Condon of Beirut, the answer came in the form of a circus. Specifically, the Swedish performance group, Kompani Giraff, invited him to compose 18 tracks for their stage show titled A Study of Losses.
A Shift in Perspective
Initially hesitant, Condon recalled the trauma associated with his earlier work, particularly the pigeonholing that followed his breakout single “Elephant Gun.” He was often seen as a “whimsical circus waif,” linked to nostalgic images of vintage performers. However, after immersing himself in the visual artistry of Kompani Giraff and engaging with Judith Schalansky’s novel, Verzeichnis einiger Verluste, which delves into themes of loss and impermanence, Condon’s perspective shifted. He ultimately composed the 11 songs and seven instrumental themes that make up A Study of Losses.
The Evolution of Sound
Writing under these unique circumstances seems to have sparked a creative renaissance for Condon. Approximately one-third of the album harkens back to the sounds of Gulag Orkestar, with tracks like “Villa Sacchetti” featuring lively brass and waltzing rhythms reminiscent of Beirut’s early days. “The Moonwalker,” with its robust vocal harmonies and accordion, further exemplifies this nostalgic sound.
Exploring New Musical Directions
Beyond the familiar, Condon ventures into new territories, incorporating electronic influences. “Ghost Train” showcases a more modern, synthesized approach, reminiscent of the pioneering work of Tangerine Dream. Meanwhile, “Guericke’s Unicorn” channels an ’80s synth-pop vibe, reflecting a brighter, more sun-soaked sound. While Condon has previously experimented with synthesizers, their prominence in this album marks a notable evolution in his music.
The Signature Charm of Beirut
One of Beirut’s defining traits is Condon’s distinctive baritone voice and melodic style. Even in Hadsel, an album recorded in a Norwegian church, the essence of Beirut remains intact. This uniqueness is a testament to Condon’s exceptional songwriting ability. The themes of loss resonate deeply within the context of Schalansky’s work, and under the guise of a circus, Condon has crafted some of his most compelling melodies in recent years.
Standout Tracks
Tracks like “Villa Sacchetti” and “Tuanaki Atoll” transcend the notion of being mere leftovers from earlier albums, standing out as prime selections. “Guericke’s Unicorn” combines bittersweet lyricism with an infectious energy that captures the listener’s attention.
Reflections on the Journey
The album’s penultimate track, “Mare Nectaris,” begins as an understated electronic exploration. Condon’s voice emerges, repeating the phrase, “You can’t be above all this,” prompting introspection. Is he addressing the acrobats of Kompani Giraff, the loyal Beirut fanbase, or perhaps reminding himself to embrace the creative process without fear of external judgment? Regardless, this message encapsulates the essence of A Study of Losses, illustrating the beauty that can arise from seemingly absurd circumstances.
Conclusion
Zach Condon’s journey in A Study of Losses exemplifies the transformative power of art. By facing his past and embracing new challenges, he has not only evolved as an artist but has also delivered a collection of songs that resonate with authenticity and depth. The album stands as a testament to the magic that can unfold when one dares to venture into the unknown.
FAQs
What is A Study of Losses about?
A Study of Losses is an album by Beirut, inspired by themes of loss and impermanence, shaped in collaboration with the Swedish circus troupe Kompani Giraff.
What musical styles can be found in this album?
The album blends elements of traditional folk sounds with modern electronic influences, showcasing both nostalgic and contemporary musical styles.
Who is Judith Schalansky, and how does her work relate to the album?
Judith Schalansky is a German writer whose novel, Verzeichnis einiger Verluste, explores themes of loss. Condon drew inspiration from her work for the album’s lyrical and thematic content.
How does A Study of Losses compare to previous Beirut albums?
This album marks a creative evolution for Condon, incorporating more electronics while retaining the distinctive sound and songwriting style that fans have come to love.
