Capitalist Co-optation of Radical Art
The Historical Context of Art and Politics
One Basquiat x H&M collection at a time, the capitalist state warps radical art to its own ends. This phenomenon is not new; it echoes historical instances where art and culture were manipulated for political agendas. A telling example is the CIA’s covert involvement in cultural diplomacy during the Cold War, notably in 1961 when Nina Simone was sent overseas to perform in newly independent Nigeria. The high priestess of soul, who often referred to America as the “United Snakes of America,” found herself unwittingly serving as a pawn in the ideological battle against communism.
Benjamin Booker’s “LOWER”: A Reflection of Dread
In his latest album, LOWER, Benjamin Booker confronts the complexities of this historical context. The opening track, “Black Opps,” serves as a biting commentary on the U.S. government’s long history of undermining African American liberation efforts. The message is stark: the struggle has always been fraught with challenges, and the landscape remains grim. After a seven-year hiatus, Booker channels the hopelessness and dread that have accumulated over time, transforming them into a visceral sonic experience.
From Warmth to Cold Reality
Whereas his 2017 album, Witness, was characterized by warmth and a rich tapestry of blues, soul, and R&B, LOWER is steeped in a darker, more desolate atmosphere. The shift is palpable in tracks like “Give a little love,” where Booker’s voice trembles with urgency as he notes, “They’ve bugged the house again/Give a little love, they’re on the lawn.” Collaborating with producer Kenny Segal, known for his work with underground hip-hop, the duo systematically strips Booker’s sound of its previous vibrancy, creating a stark yet compelling aesthetic.
The Sound of LOWER: A New Genre Emerges
Innovative Textures and Themes
Booker’s collaboration with Segal transcends traditional genre boundaries. Rather than creating a simple fusion of rock and hip-hop, LOWER forges a new strain of beat-centric grunge. The album features a range of sonic textures, from boom-bap beats to a haunting guitar riff that evokes both a funereal and militant mood. In “Black Opps,” Booker’s lyrics serve as a black mass, encapsulating the anguish and struggle of fighting for a life not yet realized.
Provocative Juxtapositions
Tracks like “Lwa in the Trailer Park” envelop Booker’s voice in layers of shoegaze that swirl around a driving kick drum. The album culminates in “Same Kind of Lonely,” where the juxtaposition of real audio from a school shooting against the innocent laughter of Booker’s daughter serves as a striking commentary on contemporary fears. While some may deem this approach a matter of poor taste, it starkly reflects the harsh reality of living with the constant anxiety that one’s child may not return home.
Conclusion
LOWER stands as a profound exploration of the intersections between art, politics, and personal experience. Through his collaboration with Kenny Segal, Benjamin Booker has crafted a work that not only reflects the current socio-political landscape but also critiques the ways in which radical art has been co-opted by the capitalist state. In a world filled with uncertainty and dread, Booker’s music serves as both a reflection and a rallying cry for those grappling with the harsh realities of modern life.
FAQs
What is the main theme of Benjamin Booker’s album LOWER?
The main theme of LOWER revolves around the intersection of personal struggle and socio-political critique, reflecting the hopelessness and dread of contemporary life.
How does LOWER differ from Benjamin Booker’s previous work?
LOWER contrasts sharply with his earlier album, Witness, by embracing a darker sound and more somber themes, stripping away the warmth and vibrancy found in his previous music.
What is the significance of “Black Opps” in the album?
“Black Opps” serves as a biting commentary on the U.S. government’s historical actions against African American liberation, encapsulating the ongoing struggles faced by marginalized communities.
How does the production style of LOWER impact its sound?
The collaboration with producer Kenny Segal introduces a unique blend of textures, drawing from hip-hop and grunge influences to create a new strain of beat-centric music that enhances the album’s themes.
What do the provocative elements in LOWER signify?
The provocative elements, such as the juxtaposition of a school shooting audio with personal moments, underscore the urgency and fear present in today’s society, emphasizing the emotional weight carried by individuals in a troubled world.
