Exploring Ally Evenson’s Debut Album: BLUE SUPER LOVE
Questions in the Void
Just past the halfway mark of her twenties, Ally Evenson poses a series of introspective questions that resonate deeply: “Am I who I’m growing into? Will I be more than just a face? Will I be more if I’m erased?” These queries set the tone for her debut album, BLUE SUPER LOVE, where the opening track, “Shitty Heaven,” immerses listeners in a weightless void filled with shimmering THX Deep Notes. Here, Evenson contemplates her choices, weighing the allure of “fun in hell or shitty heaven.” In a bold statement of artistic intent, she embraces chaos.
A Sonic Explosion
As the track approaches its two-minute mark, it transitions into an unexpected, gritty drum ‘n’ bass interlude. In the accompanying visuals, Evenson grapples with the imagery of a gushing head wound while donning a pair of sunglasses. Suddenly, the sound erupts with the intensity of an underwater vacuum implosion or a particularly frenetic Turnstile show. This dramatic shift in momentum not only captivates but also sets the stage for the album’s overarching mood—a space brimming with potential danger, like a house with the gas left on, ready to ignite at any moment.
Evolution of Sound
While Evenson’s previous releases on Bandcamp adhered to a more somber indie rock aesthetic, BLUE SUPER LOVE carves out a distinct identity by embracing smeared textures and sharp contrasts. The track “Where Are You Going?” showcases one of the album’s sweetest melodies, reminiscent of Gracie Abrams, yet it’s layered with distortion and driving percussion akin to the latest Bully record. Evenson’s pop instincts shine through, collaborating with producer Nydge to create a sweeping, electric soundscape.
Dark Humor and Vitriol
In “You Poor Thing,” a loping rhythm is punctuated by abrupt screams and blasts of noise, while Evenson’s chiming guitar targets the unfortunate subject of her ire. Her biting lyric, “You look pretty/on your knees,” raises questions about her narrator’s perspective, blurring the line between victim and aggressor.
Vocal Brilliance
Evenson’s vocal delivery evokes a bratty lineage reminiscent of bands like that dog., Veruca Salt, and Charly Bliss. The playful alliteration in “friends who fuck around” on “Cross My Fingers” infuses otherwise sweet lyrics with a delightful venom. In “Something In The Water,” her repeated plea, “I want you, and I need you, so come for me,” transforms into a twisted take on camaraderie, layered over vibrant pop-rock that fizzles with energy.
Innovative Storytelling
The storytelling on BLUE SUPER LOVE benefits from skillfully employed vocal effects. The breakdown in “Something In The Water” features Evenson’s voice panning from side to side, enhancing the emotional weight of her declaration, “I’m always here, I’m always there.” In “One Trick Pony,” an array of glitches captures the struggle of molding oneself into the ideal partner in real-time, adding depth to her narrative.
Conclusion
Ally Evenson’s BLUE SUPER LOVE is a bold exploration of identity, chaos, and the complexities of human relationships. With its dynamic soundscapes and sharp lyrical content, the album showcases her growth as an artist and her willingness to confront uncomfortable truths. Evenson’s unique blend of pop sensibility and gritty realism positions her as a compelling voice in today’s music landscape.
FAQs
What genre does BLUE SUPER LOVE belong to?
The album blends elements of indie rock, pop, and electronic music, characterized by its smeared textures and dynamic soundscapes.
Who produced BLUE SUPER LOVE?
The album was produced by Nydge, who collaborated with Ally Evenson to create its distinctive sound.
What themes are explored in the album?
The album delves into themes of identity, self-reflection, chaos, and the complexities of relationships.
How does Evenson’s vocal style contribute to the album?
Evenson’s vocal delivery is playful and sharp, infusing her lyrics with both sweetness and an underlying edge, enhancing the emotional impact of her storytelling.
