Another year has come to an end, and what a busy year it has been! I embarked on two tours with Serpent Rider, helped launch a heavy metal festival in Seattle called Soldiers of Steel with friends, released numerous albums through my record label, traveled extensively, and navigated the ups and downs of life, love, and laughter. With such a packed schedule, I regrettably did not engage much in metal journalism this year (my apologies!), but I couldn’t let the opportunity pass to present my annual Album of the Year list. After all, everyone loves a chance to critique my taste!
Context and Considerations
As always, I will be excluding albums released on my record label and those featuring my bandmates. Given my involvement in various bands, I can honestly say that my label has put out many of my favorite records this year. So, if you notice the absence of albums by Helms Deep, Decrepisy, or Zeicrydeus, that’s the reason behind it. I support my friends’ bands wholeheartedly, but there has to be a line drawn somewhere, right? At least, that’s what my editor always insists.
The State of Heavy Metal in 2025
This year has been nothing short of phenomenal for heavy metal, with an overwhelming number of records released that I still have yet to explore. Just looking at my to-listen list, I realize I haven’t gotten my hands on the latest from bands like Vórtize, Helstar, Fate’s Hand, Sölicitör, Nefarious, Hirax, Idmon’s Aegis, Morax, or Angel of Damnation, among others. Many of these might have made it onto this list had I received them in time.
However, despite the abundance of incredible music, the genre faces several challenges. Ticket and album sales are declining, and the audience’s interest in heavy metal journalism is waning—likely due to the ease of AI-generated summaries that allow readers to skip the click. I even penned an op-ed for Invisible Oranges last year, which feels more pertinent now than ever. If you cherish heavy metal, I urge you to support it in all its forms. Now, without further ado, let’s dive into the list!
–Brandon Corsair
Top Albums of 2025
Coroner – Dissonance Theory
(Century Media Records, USA)
Initially, I approached this album with skepticism. I’m not a fan of Grin, and the trend of thrash comebacks typically falls flat. However, Dissonance Theory defies those expectations. Instead of sounding like classic Coroner, it presents a modern take that showcases their evolution. This record brilliantly captures the essence of contemporary progressive metal, proving that they have something significant to say.
Sijjin – Helljjin Combat
(Sepulchral Voice Records, Germany / Spain)
When it comes to killer death metal, Malte Gericke (of Necros Christos and Drowned fame) is a safe bet. His songwriting prowess shines through on Helljjin Combat, where clever riffs intertwine seamlessly. While the band’s debut album paid homage to the rawness of early ’80s thrash, this release reflects a sophisticated evolution reminiscent of Possessed’s transition from Seven Churches to Beyond the Gates.
Nite – Cult of the Serpent Sun
(Season of Mist, USA)
Nite, featuring members from bands like Hands of Goro and Serpents of Dawn, has forged a reputation as a supergroup in the underground metal scene. Their latest album, Cult of the Serpent Sun, is a masterclass in blending black metal with classic heavy metal vibes. With sinister rhythms and captivating vocals, this album is a testament to their continued growth and acclaim.
Pagan Altar – Never Quite Dead
(Dying Victims Productions, England)
According to my interview with Alan earlier this year, Never Quite Dead may be the band’s final album. If so, they have certainly concluded on a high note. This record beautifully continues the tradition of Pagan Altar’s legacy, now featuring Brendan Radigan on vocals following the loss of their longtime singer, Terry Jones. For doom and heavy metal enthusiasts, this is an essential listen.
Christian Mistress – Children of the Earth
(Cruz del Sur Music, USA)
The return of Olympia-based Christian Mistress is nothing short of thrilling. After a decade-long hiatus, their new album, Children of the Earth, sounds as if they never left. Fans of their earlier work will be delighted to discover that the band retains its hard-hitting sound and captivating songwriting.
Scimitar – Scimitarium I
(Crypt of the Wizard, Denmark)
One of the most unexpected and delightful surprises of the year comes from Scimitar. Featuring members of Slaegt and Kamp, they blend jangly black metal with high-octane speed metal, all while incorporating clean vocals. This debut album showcases a unique sound that’s hard to define, yet utterly compelling and enjoyable.
The Lord Weird Slough Feg – Traveller Supplement 1: The Ephemeral Glades
(Cruz del Sur Music, USA)
Returning with their first new material in years, Slough Feg’s latest EP is a thrilling follow-up to their celebrated 2003 album, Traveller. While it may be short, the 23-minute runtime is packed with tight, energetic songs. The narrative-driven themes of space piracy and psionic warfare make this a captivating addition to their discography.
Vultures Vengeance – Dust Age
(High Roller Records, Italy)
Since their first demo, Vultures Vengeance has captured my attention with their originality. Their latest album, Dust Age, is a rich tapestry of ’80s prog and epic metal influences, well worth the six-year wait. If you appreciate bands like Dark Quarterer or Cirith Ungol, this record is a must-listen.
Owlbear – Feather and Claw
(Alone Records, USA)
If you enjoy Twisted Tower Dire or Running Wild and have a penchant for Dungeons and Dragons themes, then Owlbear is the band for you. Their infectious hooks, catchy riffs, and strong melodic guitar work make them a standout act in today’s heavy metal scene. Catch them live if you get the chance!
Fer de Lance – Fires on the Mountainside
(Cruz del Sur Music, United States)
Having toured with Fer de Lance earlier this year, I had the pleasure of experiencing their live performance every night. Their album, Fires on the Mountainside, is as powerful in the studio as it is on stage, showcasing their passion and impressive vocal range. This album is a testament to their talent and energy, making it a stellar addition to any metal collection.
Conclusion
This year has been a whirlwind of activity in the heavy metal scene, filled with remarkable album releases and the challenges of supporting a genre that is struggling to maintain its foothold in the public consciousness. As we close out another year, I encourage all metal fans to continue supporting the music and artists we love. Let’s keep the spirit of heavy metal alive!
FAQs
What criteria did you use for your Album of the Year list?
I based my selections on personal enjoyment, musical innovation, and the overall impact of the albums within the heavy metal genre, while also excluding albums I released or participated in.
Who are some of the artists or bands you wish you could have included?
There are numerous artists I didn’t get to explore fully, including Vórtize, Helstar, and Hirax, among others. Many of these albums may have found a place on my list had I received them in time.
What is the current state of heavy metal music?
The genre is facing challenges such as declining ticket and album sales, as well as a decrease in readership of metal journalism. However, there are also many incredible albums being released, showcasing a vibrant underground scene.
How can fans support the heavy metal scene?
Fans can support heavy metal by purchasing music, attending shows, and engaging with the community, whether online or in person. Every bit of support helps sustain the genre and its artists.
