The Evolution of No Wave: Brutus VIII and the Anti-Scene Scene
Understanding No Wave
No Wave emerged in the late 1970s as a reaction against the mainstream music scene, characterized by its anti-genre ethos. The term "No Wave" was coined to signify a rejection of traditional musical structures and the commercialization of sound. However, by 2025, this movement has paradoxically transformed into a label that encompasses multiple interpretations—genre, sound, aesthetic, and a catch-all term for loud music produced by New York-based musicians.
Brutus VIII: A New Face of No Wave
Among the contemporary artists channeling this ethos is Brutus VIII, an LA-based musician whose sound can be likened to a high-on-life blend of John Maus and Alan Vega. Brutus, the moniker of Jackson Katz, is a former indie musician known for his work with bands like Slow Hollows and Current Joys. Transitioning from traditional instruments to drum machines, Katz has crafted a solo project that both honors and mocks the legacy of No Wave.
The Character of Brutus VIII
A Masculine Caricature
Brutus VIII presents himself as a hyper-masculine figure, characterized by his brooding baritone and the visual accompaniment of an interpretive dancer. This theatricality serves as a commentary on the masculine archetype often associated with the No Wave movement. Katz explores this persona in his music, creating a character that is compelling yet flawed.
Emotional Depth in Chaos
In tracks like “Anger” and “Burn,” Katz delves into the psyche of a fractured individual grappling with the consequences of his actions. These songs evoke imagery of vulnerability—men in disarray, wrestling with their emotional turmoil. The discomfort arises not from mere sonic aggression but from the character development that unfolds within the music.
The Latest Release: Do It for the Money
An Exploration of Pain
Brutus VIII’s recent EP, Do It for the Money, aims to evoke a similar emotional weight. While it successfully addresses themes of pain and struggle, the intensity often falls short, hindered by its polished production. Katz’s mastery of No Wave pastiche results in a sound that, while impressive, at times feels overly mechanical.
Balancing Sincerity and Performance
The lead single, “My Eating Disorder,” tackles issues of body image and masculinity with notable lyrical bravery. Yet, the song’s heavy instrumentation can overshadow its underlying message, leading to a disconnection between the sincerity of the lyrics and the bombast of the sound. The juxtaposition of personal struggle and aggressive sonic elements raises questions about authenticity in the context of No Wave.
Reflections on Brutus VIII’s Journey
A Shift from Resourcefulness to Chaos
Brutus VIII’s earlier works, particularly the 2018 LP A Hackney Pursuit, captured the essence of desperation with a raw, resourceful sound. In contrast, Do It for the Money leans into chaotic production that, while energetic, may lack the emotional nuance of his previous work. The evolution from minimalistic instrumentation to an expansive soundscape highlights the tension within Katz’s artistic journey.
The Final Thoughts on the EP
The closing track, “Five Goodbyes,” offers a moment of introspection through its lush instrumental textures. However, the absence of lyrics in this piece contrasts sharply with the thematic richness of earlier tracks. This choice underscores a recurring theme in the EP: a loudness that often drowns out the message.
Conclusion
Brutus VIII stands at the intersection of homage and critique within the No Wave movement. By navigating the complexities of masculinity and emotional vulnerability, he engages with a genre that is paradoxically both honored and subverted. While Do It for the Money may not fully capture the raw emotionality of his past works, it reflects the ongoing evolution of No Wave in contemporary music.
FAQs
What is No Wave?
No Wave is a musical movement that emerged in the late 1970s in New York City, characterized by its rejection of traditional music structures and commercialism.
Who is Brutus VIII?
Brutus VIII is the solo project of Jackson Katz, an LA-based musician who combines elements of No Wave with a contemporary sound, often exploring themes of masculinity and emotional vulnerability.
What themes does Do It for the Money explore?
The EP explores themes such as body image, masculinity, and emotional struggle, often juxtaposed with a loud and chaotic musical backdrop.
How does Brutus VIII’s sound compare to traditional No Wave?
While he honors the No Wave legacy, Brutus VIII’s sound also critiques it, incorporating modern production techniques that sometimes lead to a more polished yet less raw emotional experience.
