CHRIS HARMS now not simplest stands proud as a musical chameleon together with his band LORD OF THE LOST but in addition together with his first actual solo album, ‘1980.’ The album, which is strongly paying homage to synth-pop, will likely be launched on January 31, 2025 by way of Napalm Information and is the belief of a long-cherished dream this is in spite of everything coming to lifestyles. 1980 delivers an excessively distinctive sound but untapped in Harms’ major band. As an alternative, it dives into the uniquely atmospheric synthesizer sounds of the 80s, interweaving them with digital, wave, and goth components and fully diverting from guitar-driven rock taste.
Harms’ unique voice and ‘1980’s synth-pop-inspired sound craft an atmospheric adventure via time, beginning with the wave-infused, dancefloor-ready album opener and primary unmarried, “I Love You.” The authentic track video, launched these days, completely enhances the monitor, handing over fascinating visuals that radiate the unfashionable allure of the 80s.
CHRIS HARMS provides:
“‘I Love You’ – that right away seems like a contented summer time hit to me. Alternatively, this primary influence couldn’t be extra unsuitable. Whilst the 80s synth sound without problems creates a way of lightness, ‘I Love You’ is, at its core, one of the vital saddest songs I’ve ever
CHRIS HARMS describes ‘1980’:
“If I have been pressured to categorize this album and label it, it might almost definitely say ‘a extraordinary however a hit mixture of Depeche Mode, Fashionable Speaking and Sandra with Chris Harms’ voice, however with much less perm and mullet’”.
Songs such because the hit “She Known as Me Diaval” and “Lunamor” exude a nice lightness, whilst “Previous Ache” and “Might This Be Your Ultimate Battlefield” strike a reflective word. Two decided on duets spherical off the album: Harms welcomes visitor singer Sven Friedrich (Sun Pretend) on “Madonna Of The Night time”, whilst Ronan Harris (VNV Country) may also be heard on “The Gray Machines”.
‘1980’ intentionally avoids making an attempt to reinvent the wheel, however is to be understood as a musical adventure via time. It’s evidence of Harms’ inventive versatility, for which he’s admired and liked a ways past style barriers. There is not any planned calculation or using the wave of any developments at the album, however merely a keenness, need, and love for track, with which CHRIS HARMS has marked a exceptional new pinnacle in his discography as a musician.
‘1980’ Monitor Record:
1. I Love You
2. She Known as Me Diaval
3. Someplace Between Heaven And Armageddon
4. Neglected Name
5. Madonna Of The Night time (feat. Sven Friedrich)
6. Lunamor
7. Parallax
8. Previous Ache
9. The Gray Machines (feat. Ronan Harris)
10. Vagueness Of Religion
11. Might This Be Your Ultimate Battlefield
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