Exploring Sorry’s Unique Sound in COSPLAY
A Cut-Up Approach to Pop Culture
In the tradition of plunderphonic innovators like The Avalanches and The Books, the band Sorry embraces a cut-up methodology that reflects the chaos of contemporary pop culture. Their track “Jetplane” showcases this technique beautifully, remixing a catchy hook from Guided By Voices, a dial tone, and a dynamic breakbeat into an exuberant anthem: “Arrest me! I’m a hot freak!”
Transforming Familiar Melodies
On “Waxwing,” the group takes a bold turn, pairing a synth reminiscent of the Twilight Zone with industrial feedback, while reinterpreting Toni Basil’s playful classic “Mickey” into something far more provocative. Similarly, “Love Posture” emerges as a daring response to Nine Inch Nails’ “Closer,” with a pulsing bass line underpinning Lorenz’s lyrics about the primal instincts of lovers on all fours. This thematic exploration is complemented by their earlier release “Closer,” an emo-infused slow burn that contrasts sharply with the raw abandon found in “Love Posture.”
Embracing Human Flaws
COSPLAY thrives on the imperfections inherent in the human experience. The album features a false start in the theatrical piano-driven track “Magic,” while Lorenz’s raspy vocals on the raucous “Today Might Be the Hit” add a layer of authenticity. The way her voice ebbs and flows with the beat in the audacious “Candle,” which draws influence from Elton John, highlights the band’s commitment to capturing the unpredictable nature of existence.
The Quest for Meaning
Throughout the album, Sorry captures the disquieting sensation of striving for clarity in a world that often resists definitive meaning. However, their attempts to articulate specifics sometimes falter. A fleeting reference to the controversial Japanese philosopher Yukio Mishima in “Into The Dark,” along with the simplistic, repetition-heavy structure of “Echo,” risks reducing Sorry to mere purveyors of nihilism in a post-pandemic landscape. Nevertheless, true to their style, a sudden discordant guitar riff or an unexpected percussive clash can quickly reverse the mood, keeping listeners on their toes.
Comparative Analysis with 100 gecs
It’s easy to draw parallels between Sorry and American duo 100 gecs. Both groups revel in subverting cultural hierarchies and craft art that serves as both a tribute and a critique of the overwhelming exhaustion of 21st-century life. As cultural critic Mark Fisher noted, they capture the “crushing sense of finitude” that permeates modern existence.
Conclusion
In COSPLAY, Sorry navigates the complexities of contemporary life through a kaleidoscope of sound and emotion. Their blend of cultural references and raw, human imperfections creates an album that is as thought-provoking as it is entertaining. By embracing chaos and challenging norms, Sorry not only reflects the zeitgeist but also carves out a unique space for themselves in the ever-evolving music landscape.
FAQs
What is the musical style of Sorry?
Sorry incorporates a mix of genres, blending elements of pop, punk, and experimental music, creating a sound that is both innovative and accessible.
What themes does COSPLAY explore?
The album explores themes of human imperfection, the search for meaning in a chaotic world, and the complexities of modern relationships.
How does Sorry compare to other contemporary artists?
Sorry shares similarities with artists like 100 gecs, as both groups challenge cultural norms and create art that reflects the anxieties of the current generation.
What are some standout tracks on COSPLAY?
Notable tracks include “Jetplane,” “Waxwing,” and “Love Posture,” each showcasing the band’s unique approach to songwriting and sound.
How does Sorry incorporate pop culture references in their music?
Sorry employs a cut-up technique, reimagining familiar melodies and cultural icons to create new narratives that resonate with listeners.
