Doc Coyle Defends Sleep Token Against Backlash and Gatekeeping in Metal

Doc Coyle, the former guitarist of Bad Wolves and current member of Snot, has recently voiced his concerns regarding the “pretentious gatekeeping” surrounding the band Sleep Token. In an op-ed for Metal Hammer, Coyle addresses the backlash the masked band has faced following the impressive sales of their latest album, Even In Arcadia.

Understanding the Backlash

Coyle’s Observations on the Response to Sleep Token

In his piece, Coyle highlights the paradox of the band’s success and the ensuing critique. He states, “In spite of, or maybe due to, this commercial triumph, the backlash has been harsh and swift.” Coyle notes that the online discourse around Sleep Token, particularly within the metalcore community, has become increasingly hostile. Many fans express sentiments like, “This band should not be allowed to be called metal anymore!” highlighting a disdain for the band’s cult-like following.

Coyle points out that the criticism from notable sources, including Pitchfork and YouTube’s Anthony Fantano, often transcends mere critique to a level of antipathy. He argues, “This isn’t critique – it’s antipathy, revulsion, wholesale rejection.” The real issue, as he sees it, is not the band’s artistic decisions, but their audacity to achieve widespread popularity while deviating from traditional metal norms.

Embracing Diversity in Sound

Central to Coyle’s argument is the observation that Sleep Token’s eclectic blend of pop influences has led to their alienation from certain metal fans. He notes that other bands, like Bring Me the Horizon and Spiritbox, have successfully incorporated similar elements without facing the same level of backlash. In contrast, acts like Opeth and Devin Townsend receive more leniency, likely due to their less mainstream appeal.

“I fear that we’ve become a society incentivized not to enjoy blatantly enjoyable things,” Coyle remarks, praising the track “Caramel” as “a disturbingly excellent pop song.” He expresses his enjoyment of Even in Arcadia, stating, “Its best songs don’t hit the peaks of ‘The Summoning’ and ‘Chokehold’ from Take Me Back to Eden, but I find it a more satisfying listen top-to-bottom.”

Critique of Gatekeeping Trends

The Cycle of Condemnation in Heavy Music

Coyle continues to explore the theme of gatekeeping, emphasizing that he doesn’t begrudge anyone who dislikes Sleep Token but is troubled by the “lynch mobs” forming against popular heavy bands. He characterizes this trend as “knee-jerk contrarianism,” suggesting that the instinct to dislike what is popular is not a healthy approach.

He draws parallels to past instances in the music scene, recalling how Limp Bizkit transitioned from being the biggest band in the world in 2002 to facing widespread disdain, only to be appreciated again years later. “It was also trendy to hate Metallica for 10 years. Now, people love them again,” he notes, reflecting on the cyclical nature of music fandom.

A Call for Acceptance and Earnestness

Coyle concludes his piece with a plea for a shift in mindset within the music community. He argues against the notion of tearing down successful acts and describes this behavior as “why we can’t have nice things” in practice. He expresses that genuine fandom should be characterized by passion and earnestness, rather than elitism and conformity.

In a heartfelt conclusion, Coyle states, “It’s just music. Just because you have a right to be an asshole about this stuff, doesn’t mean you have to be. Be an outsider. Be a nerd. And it’s okay to sometimes be a basic bitch that likes things that make you feel good.”

Conclusion

Doc Coyle’s op-ed serves as a reminder of the ongoing struggle between artistic expression and community acceptance within the realms of rock and metal. His defense of Sleep Token highlights the importance of embracing diversity in music and fostering an environment where fans can celebrate rather than criticize. As the music landscape continues to evolve, it becomes crucial for listeners to appreciate different sounds and artistic choices without falling prey to gatekeeping tendencies.

FAQs

What is the main argument of Doc Coyle regarding Sleep Token?

Doc Coyle argues against the backlash and gatekeeping surrounding Sleep Token, emphasizing that their success should be celebrated rather than criticized due to their artistic choices.

How does Coyle compare the situation of Sleep Token to past bands?

Coyle compares Sleep Token’s backlash to the experiences of bands like Limp Bizkit and Metallica, highlighting how popular bands often face criticism only to be re-evaluated favorably over time.

What does Coyle suggest about enjoying music?

Coyle encourages fans to embrace their love for music without adhering to elitist attitudes, advocating for a more accepting and earnest appreciation of diverse musical styles.