Confronting the Scripted Narrative: Eliza McLamb’s Good Story
The Prewritten Script of Conversation
Have you ever found yourself in the middle of a conversation and realized you’re being fed a prewritten script? Recently, I caught up with a friend who had undergone several dramatic changes since we last spoke—a divorce, a new home, a new job. However, despite my polite inquiries, she consistently responded with buzzwords like boundaries, self-care, yoga, gratitude, and growth. It became apparent that she had premeditated her narrative, sharing a polished, linear version of events that conveniently glossed over the chaotic details in favor of lessons she felt compelled to impart.
Exploring Self-Narrativization in Music
On her second album, Good Story, singer-songwriter Eliza McLamb tackles this universal tendency to craft a self-narrative. In the song “Mausoleum,” she reflects on the impulse to frame experiences before truly living them: “Catch it quick/Frame the image/Make your meaning before you’ve lived it.” This self-critique signals a deeper exploration of the stories we tell ourselves and others, a theme that resonates with many of us.
From Personal Trauma to Artistic Expression
McLamb’s debut album, Going Through It, released in 2024, delved into her childhood trauma and difficult relationships. As a stirring essayist and podcaster, she has explored these themes extensively, transforming them into art. However, with Good Story, she takes a step back, questioning the cumulative significance of her anecdotes and what they reveal about her journey.
Musical Composition and Collaborations
McLamb collaborates with a talented band that includes Jacob Blizard (who has played with Lucy Dacus), bassist Ryan Ficano, keyboardist Sarah Goldstone (known for her work with Chappell Roan and boygenius), and Death Cab For Cutie drummer Jason McGerr. Together, they build a solid indie-rock foundation for the album, incorporating elements of Lilith Fair pop-rock, particularly evident in McLamb’s ethereal vocals. The album also draws comparisons to contemporaries like Dacus and Soccer Mommy, while also maintaining its distinct sound.
Variety and Depth in Tracklist
The tracklist for Good Story offers gentle swerves that enhance its depth and variety. For instance, “Better Song” concludes with a scorching guitar solo that lasts a minute, showcasing the band’s musical prowess. Meanwhile, the subdued “Promise,” characterized by delicate vocals and finger-picked guitar, transitions into “Water Inside the Fence,” which builds a palpable sense of anxiety, culminating in screeching feedback and pounding drums.
Conclusion
Eliza McLamb’s Good Story serves as a poignant reminder of the narratives we construct, both for ourselves and others. By confronting the desire to prearrange our stories, she invites listeners to embrace the complexity of their experiences. Through her introspective lyrics and dynamic musicality, McLamb not only shares her journey but also encourages her audience to reflect on their own narratives.
FAQs
What is the main theme of Eliza McLamb’s album Good Story?
The main theme revolves around the instinct to self-narrativize and the exploration of personal experiences without the need for a polished presentation.
Who are the collaborators on Good Story?
McLamb collaborates with Jacob Blizard, Ryan Ficano, Sarah Goldstone, and Jason McGerr, each bringing their unique musical backgrounds to the project.
How does Good Story differ from McLamb’s debut album?
While her debut album Going Through It focused on personal trauma and relationships, Good Story takes a reflective approach, questioning the meaning of the stories we tell ourselves.
What musical influences can be heard in Good Story?
The album features influences from indie rock and Lilith Fair pop-rock, with a blend of dynamic compositions and introspective lyrics.
