Black Eyes’ Return: Unleashing Hostile Design

Reviving the Spirit of Chaos

About two minutes into “Burn,” the second track on Black Eyes’ latest album, Hostile Design, frontman Daniel Martin-McCormick proclaims, “Kill your shitty parents/let their blood flow free.” This stark declaration signals that despite a two-decade hiatus, the band retains its fierce anger and raw energy. Emerging from the D.C. punk scene at the dawn of the 21st century, Black Eyes disrupted conventional norms with their distinctive lineup featuring two drummers, two bassists, two vocalists, and a guitar sound reminiscent of Rowland S. Howard possessed by the spirit of Sonny Sharrock.

A Sonic Revolution

Their early work was a chaotic blend of no-wave noise and funk, characterized by percussive assaults and visceral critiques of Bush-era America. By the time their second album, Cough, was released, a free-jazz influence had taken the forefront, resulting in tracks that felt like the band was deconstructing their sound only to reassemble it into something uniquely misshapen. It’s no surprise that their last show occurred before the release of Cough; the band’s intensity felt like a hurricane, destined to dissipate.

A Miraculous Reunion

When Black Eyes reunited in 2023, it was nothing short of a miracle. Their new album, Hostile Design, faced a formidable challenge: How can one capture the essence of chaos a second time, especially after years of separation from the initial fervor? Despite spending the last two years performing their older material on tour, Hostile Design does not merely revisit past glories; instead, it ventures into uncharted territory.

Innovative Soundscapes

In true Black Eyes fashion, the album synthesizes the explosive tension and jazz influences of their earlier work while prominently featuring their love of dub. The band revels in stretching their songs into new forms, with half of the album’s tracks exceeding six minutes, allowing them to luxuriate in echo and delay.

Groove and Chaos

One standout track, “Under the Waves,” showcases perhaps the grooviest basslines the band has ever produced, seamlessly integrating a noisy saxophone solo without disrupting its flow. Conversely, the album closer, “TomTom,” creates a cavernous soundscape, with the band maximizing every reverberation from their instruments, crafting a hypnotic experience punctuated by Hugh McElroy’s constant chatter in Haitian Creole.

Raw Energy Remains

Despite their explorative tendencies, Black Eyes haven’t lost their raw energy. The album opener, “Break a Leg,” builds meticulously, layering thumping bass, frantic drums, and fragmented sax notes until it culminates in an explosive finale. Martin-McCormick’s vocals and guitar unleash distorted screams reminiscent of their earlier days, showcasing a commitment to authenticity and intensity.

Conclusion

Hostile Design marks a triumphant return for Black Eyes, embodying both growth and continuity. The band successfully captures the essence of their chaotic roots while paving new paths in their sound. As they navigate this new era, Black Eyes remains a formidable force in the music scene, proving that their anger and creativity are as potent as ever.

FAQs

What genre does Black Eyes’ music typically fall under?

Black Eyes’ music is characterized by a blend of punk, no-wave noise, funk, and free jazz, often incorporating elements of dub.

When was the last time Black Eyes released new music before Hostile Design?

The band last released music in the early 2000s, with their last album prior to Hostile Design being Cough, which was released in 2003.

How does Hostile Design compare to Black Eyes’ earlier work?

Hostile Design synthesizes elements from their earlier music while exploring new soundscapes, featuring longer tracks and a more pronounced dub influence.

What themes are present in Black Eyes’ lyrics?

The band’s lyrics often include visceral critiques of society, personal struggles, and a raw expression of anger and chaos.

Is Black Eyes planning to tour in support of Hostile Design?

While specific tour plans may vary, the band has been performing live and likely will continue to promote Hostile Design through live shows.