Mclusky’s Triumphant Return: A Review of *the world is still here*

Revisiting Old Grounds

On their long-awaited reunion record, *the world is still here*, Mclusky deftly sidestep the trappings of serious elder statesmen of punk. Thankfully, the band recognizes that dignity is overrated, allowing them to reclaim their irreverent spirit without the burden of self-importance. With this new release, there’s no grandstanding or demands for respect; Mclusky’s essence has always been rooted in authenticity, not in the illusions of self-respect.

A Fresh Yet Familiar Sound

*the world is still here* marks the Welsh band’s first new material since 2004’s *The Difference Between Me and You Is That I’m Not on Fire*, and it stands as their most invigorating work since the Steve Albini-produced classic, *McLusky Do Dallas*. Rather than merely revisiting their past, this record showcases what Mclusky can still achieve—whether it’s the face-melting urgency of “juan party-system” or the gritty guitar-driven intensity of “the digger you deep.” The album artfully channels the band’s signature early-2000s vulgarity into our current socio-political landscape, echoing the biting commentary found in singer and guitarist Andrew “Falco” Falkous’ other project, Future of the Left.

Sharp Political Commentary

One standout track, “people person,” encapsulates Mclusky’s knack for incisive social critique. The song’s refrain—“lotta people lotta people lotta people”—serves as a pointed jab at the complacent moderates who remain silent amid societal injustices, only to later claim moral high ground. The lyrics compel listeners to confront uncomfortable truths, particularly regarding self-proclaimed “progressives” who ignore ongoing atrocities, such as the genocide of Palestinians. The stark lines, “Exploding kids, exploding kids, exploding kids can kill the mood,” reveal a brutal honesty that is both unsettling and necessary.

The Unique Flavor of Mclusky

Envisioning an American equivalent to Mclusky is challenging; the band’s music is steeped in a distinctly British flavor of crassness and a deep-seated disdain for authority. Tracks like “Lightsabre Cocksucking Blues” from 2001 and its contemporary counterpart, “the unpopular parts of a pig,” showcase Mclusky’s signature speed and irreverence. The latter song reignites their raw, clobbering sound while maintaining the motormouth energy that defines their style. Lines such as, “Delicate seeds come from delicate flowers/that was the horseshit she fed me for hours,” exemplify their knack for biting sarcasm.

A Diverse Vocal Performance

Falkous’ versatile vocal delivery stands at the forefront throughout the album. He growls with ferocity in “cops and coppers,” stretches vowels in “the competent horse thief” with a balance of brilliance and insufferability, and delivers the line, “Tell me you’re Banksy without being Banksy” in “kafka-esque novelist franz kafka” with a playful yet poignant edge. The amalgamation of these elements creates an album that feels both fresh and familiar, a testament to Mclusky’s enduring spirit.

Conclusion

*the world is still here* is not just a reunion record; it’s a powerful reminder of Mclusky’s unapologetic approach to punk music. With their characteristic irreverence and sharp social commentary, the band proves that they remain a relevant and vital force in today’s musical landscape. Far from a mere nostalgia trip, this album reaffirms Mclusky’s place in punk history while simultaneously pushing forward, reminding us that they are still here—loud, brash, and unfiltered.

FAQs

What is Mclusky’s latest album about?

Mclusky’s latest album, *the world is still here*, explores themes of irreverence, political commentary, and the band’s signature punk sound, reflecting the current socio-political climate.

When was Mclusky’s last album released before this one?

The last album released by Mclusky before *the world is still here* was *The Difference Between Me and You Is That I’m Not on Fire*, which came out in 2004.

How does this album compare to Mclusky’s earlier work?

This album is considered their most invigorating since *McLusky Do Dallas* and combines their classic sound with contemporary themes, showcasing their evolution while retaining their core identity.

What themes are prevalent in the songs on this album?

The songs on *the world is still here* tackle themes of social injustice, political complacency, and the absurdities of modern life, all delivered with Mclusky’s trademark irreverence.

What is the significance of Mclusky’s reunion?

The reunion underscores the band’s enduring legacy and relevance in punk music, demonstrating that they can still produce fresh, impactful work without succumbing to the pitfalls of nostalgia or self-importance.