Mortiis: The Myth and the Man Behind the Music

The Enigmatic Figure of Håvard Ellefsen

Mortiis, the stage name of Håvard Ellefsen, has often been shrouded in myth. As a pioneer of dungeon synth and a founding member of the influential black metal band Emperor, Ellefsen has cultivated a distinctive visual aesthetic that elevates him to an almost mythical status—one typically reserved for fictional characters. His recent return to dungeon synth, highlighted by the 2020 album Spirit of Rebellion and a notable tour with Mayhem, has solidified his stature as an Odin-like figure within the subgenre. Yet, this mythologization often overlooks Ellefsen’s significant personal contributions to Mortiis, particularly during the creation of the 2001 album The Smell of Rain.

The Smell of Rain: An Album of Transition

A Unique Position in Mortiis’ Discography

Within the Mortiis catalog, The Smell of Rain occupies a unique space as the sole album of Era 2. Nestled between the ethereal works of his groundbreaking 90s Era 1 and the industrial rock sounds of Era 3, this album serves as a time capsule of 2001. Its sandy cover art, blending goth-pop elements, and Ellefsen’s timid vocals encapsulate the essence of the early 2000s. This period also reflects a growing pain for Ellefsen, a charm that is rarely seen in his other works. He describes the record as a “happy accident,” birthed from a growing disillusionment with his 90s output and a deep personal depression.

Musical Exploration and Personal Struggles

During this time, Ellefsen found himself immersed in a variety of influences, including Enigma, Skinny Puppy, Nine Inch Nails, and Iggy Pop. “I was just branching out as a fan and influenced by a lot of these artists and bands,” he recalls. However, lacking mentors and guidance, he felt lost in his experimentation. “I was just listening to those records on repeat and trying to figure it out and, of course, completely failing, and that became The Smell of Rain,” he reflects.

The Evolution of Vocals and Production

A Nervous Debut

The Smell of Rain marked a significant shift, as it was the first album where Ellefsen took on lead vocals. His pale delivery complemented the album’s raw production, but it was driven by nerves and subpar recording conditions rather than intention. “The reason that my vocals are so mellow on that record is because I really wanted to do the more aggro industrial singing, something more dynamic, but I was too scared,” he admits. He opted not to demo his vocals due to a lack of resources, resulting in a unique sound that captures the emotional weight of the album’s lyrics.

Raw Charm and Identity

Despite its imperfections, Ellefsen cherishes The Smell of Rain. He believes that its rough production choices contribute to its identity, likening the experience to reflecting on past embarrassments with a sense of nostalgia. “You just have to appreciate it for what it is. It’s a snapshot of the times,” he states, emphasizing the importance of accepting one’s past without regret.

The Journey Beyond Era 2

Growth and Transformation

Following The Smell of Rain, Ellefsen’s vocal skills and confidence improved throughout Mortiis’ Era 3, particularly in albums like The Grudge and Perfectly Defect. He embraced a full band format and gradually phased out his signature prosthetics, which he no longer felt were necessary. “No,” he asserts when asked if the prosthetics helped with his anxiety, attributing his growth to years of live performance experience.

Revisiting the Past

In 2017, Ellefsen revisited his second album, Ånden som gjorde opprør, at a Cold Meat Industry anniversary show, signifying a reconciliation with his dungeon synth roots. His return to the genre culminated in the release of The Spirit of Resistance, marking his first dungeon synth record in over two decades.

The Legacy of The Smell of Rain

While it remains uncertain whether The Smell of Rain will receive the same recognition as Mortiis’ earlier works, its impact on the dungeon synth genre is undeniable. The album’s sound and aesthetic have influenced countless artists, even as the genre evolves. Ellefsen’s ability to craft catchy music and the album’s danceable qualities make it a standout, despite its time-bound nature. “I think this album has definitely more in common with, for example, The Smell of Rain than it does with any kind of dungeon release that I’ve done,” he remarks, underscoring its lasting influence on his artistic journey.

Conclusion

Mortiis, as both a musical project and a persona, encapsulates a rich tapestry of personal struggle, artistic exploration, and mythologization. Håvard Ellefsen’s journey through the realms of dungeon synth, especially with The Smell of Rain, reveals an artist grappling with identity and creativity while creating a unique niche in the music world.

FAQs

What is dungeon synth?

Dungeon synth is a genre of music that combines elements of dark ambient, medieval, and electronic music, often evoking themes of fantasy and mythology.

How did Mortiis influence the dungeon synth genre?

Mortiis is credited with pioneering the dungeon synth genre in the early 90s, setting the standard for atmospheric and narrative-driven music that many artists continue to draw from today.

What are the different eras of Mortiis’ music?

Mortiis’ music is typically categorized into three eras: Era 1, characterized by dark ambient and dungeon synth works; Era 2, which includes The Smell of Rain and its goth-pop influences; and Era 3, known for its industrial rock sound.

Why is The Smell of Rain considered a pivotal album?

The Smell of Rain is considered pivotal due to its unique blend of styles, personal lyrical content, and the evolution of Ellefsen’s vocal delivery, marking a significant transition in his artistic journey.

Is Mortiis still active in music today?

Yes, Mortiis remains active in music, with recent releases and performances that continue to resonate with both old and new fans alike.