Ty Segall’s Evolution: A Deep Dive into “Possession”
The Prolific Artist’s Journey
Ty Segall, the garage rock sensation known for his relentless creativity, expressed a desire to slow down in a recent interview. “I love being prolific, but sometimes it lessens the whole thing,” he remarked, hinting at a more measured approach to his music. However, shortly after these comments, he released Love Rudiments, an album dedicated entirely to percussion instrumentals. This release marked a culmination of his experimental phase that began around 2018, where each album saw him explore new musical terrains—from the avant-garde covers on Fudge Sandwich to the synth-pop landscapes of Harmonizer and the prog-punk vibes of Three Bells.
Shifting Gears with “Possession”
As Segall approaches 40, there are signs that he might be transitioning away from his exploratory phase with his latest album, Possession. This record serves as a return to form, leaning into the glam-inflected psychedelia that has characterized his work since Goodbye Bread to the expansive Freedom’s Goblin. Yet, Possession distinguishes itself by embracing a warmer and more nostalgic sound, with elements of stadium rock, power-pop anthems, and feel-good jams.
A Richer Sound Palette
The album’s levity is partly attributed to the broader musical palette Segall employs this time around. Brass instruments lend a buoyant quality reminiscent of Steely Dan, while a string quartet adds elegance to several tracks. The title track, “Possession,” starts with an electro-infused homage to “Ziggy Stardust,” evolving into a brass-heavy anthem that showcases Segall’s departure from the raw sound of his earlier works. In “Shoplifter,” he juxtaposes a sparse garage rock intro with an instrumental build-up that climaxes in a saxophone duel, illustrating his growth as an artist.
Collaborative Lyrics and Themes
Segall co-wrote most of the lyrics for Possession with Matt Yoka, his frequent collaborator and music video director. The album features characters grappling with the absurdities of life, echoing the themes present in his previous works. Lines like “Smoke in the summer/The metallic taste like rubber” encapsulate the blend of humor and existential dread that permeates the record.
Lower Stakes, Familiar Comfort
Despite its deep themes, Possession feels like a slightly more relaxed effort for Segall. After a series of innovative experiments, he seems content to revel in the classic rock influences that shaped his artistry. Tracks like “Fantastic Tomb” showcase a playful gothic narrative while maintaining a dad-rock groove. The album’s standout anthem, “Another California Song,” serves as a nostalgic reminder of the sounds that have solidified Segall’s status in California’s psychedelic revival.
Conclusion
With Possession, Ty Segall presents a fascinating blend of nostalgia and introspection, showcasing his ability to evolve while tapping into the familiar sounds of his past. As he continues to navigate his artistic journey, fans can expect more of the innovative spirit that has defined his career alongside a newfound warmth and accessibility in his music.
FAQs
What themes are explored in Ty Segall’s “Possession”?
The album delves into themes of existentialism, absurdity, and personal introspection, featuring characters dealing with the complexities of modern life.
How does “Possession” differ from Segall’s previous works?
While it retains elements of glam-inflected psychedelia, Possession leans towards a warmer, nostalgic sound with influences from stadium rock and power-pop, contrasting with his more experimental albums.
Who collaborated with Ty Segall on “Possession”?
Segall co-wrote the majority of the lyrics with Matt Yoka, who is also known for directing many of Segall’s music videos.
What musical influences are present in “Possession”?
The album features a rich tapestry of influences, including elements reminiscent of Steely Dan, Grand Funk Railroad, and classic stadium rock.
Is “Possession” a reflection of Ty Segall’s artistic growth?
Yes, the album showcases Segall’s evolution as an artist, moving from stripped-down garage rock to a more expansive sound that incorporates orchestral elements and varied musical styles.