Only a fool would argue that Scott Weiland was one of the defining voices of his generation. This wordsmith and musical chameleon possessed a rare magic that is simply indescribable. He had the uncanny ability to convey the many shades of despair and resilience in a way that few others—like Alice in Chains’ late Layne Staley, his collaborator in Mad Season Mark Lanegan, and Phil Anselmo—managed to achieve. Join us in honoring Weiland’s legacy with a look at five of his most underrated songs, both within and outside of his work with Stone Temple Pilots.
Honorable Mentions
Before we dive into the main list, it’s important to acknowledge some honorable mentions from Weiland’s expansive discography. “Gravedancer,” from Velvet Revolver’s self-titled debut, still deserves more recognition, while “Spectacle” delivers an exhilarating adrenaline rush. “For a Brother,” born from the tragic deaths of Weiland’s brother and Matt Sorum’s sibling, proves to be a grower, and “You Got No Right” never fails to tug at the heartstrings.
Even with millions of streams for “The Last Fight,” another tribute to Weiland’s brother, it feels insufficient. Weiland’s sublime reinterpretation of Electric Light Orchestra’s “Can’t Get It Out of My Head” showcases his extraordinary talent for covering other artists, as do his solo takes on Paloalto’s “Some Things Must Go This Way” and Radiohead’s “Let Down.” Additionally, Stone Temple Pilots’ rendition of The Beatles’ “Revolution” deserves a shout-out.
While the entirety of Core (1992) is cherished, “Piece of Pie” might just be its most undervalued track. The chilling yet oddly comforting demo versions of “Creep” and “Plush” are worth experiencing as well. Likewise, both “Silvergun Superman” and “Still Remains” from STP’s iconic Purple (1994) deserve more love. From Weiland’s first solo album, 12 Bar Blues (1998), which includes the single “Barbarella,” “Where’s the Man” has long been a buried gem, now finding new life in the film Beetlejuice Beetlejuice (2024). Lastly, even if Limp Bizkit isn’t everyone’s cup of tea, Weiland’s guest appearance on “Hold On” shouldn’t be overlooked.
5 Most Underrated Scott Weiland Songs
Now, let’s explore the five most underrated songs by Scott Weiland.
1. “Loving the Alien” (Velvet Revolver)
From Velvet Revolver’s double-platinum debut, Contraband (2004), “Loving the Alien” stands out as a hidden gem. While the album produced hits like the Grammy-winning “Slither” and “Fall to Pieces,” it’s the final track that deserves more accolades. This song is a tribute to David Bowie, who was a significant inspiration for Weiland. The beauty of “Loving the Alien” is simply astonishing, and its underappreciation is baffling, especially when compared to more mainstream hits like “Interstate Love Song.”
2. “Pictures & Computers (I’m Not Superman)” (Scott Weiland)
Featured on Weiland’s second solo record, “Happy” in Galoshes (2008), “Pictures & Computers (I’m Not Superman)” presents a hauntingly personal narrative. Enhanced by Weiland’s keys and French horn, this daring track explores existential themes with honesty and depth. The weight of the lyrics resonates strongly with listeners, making it a standout piece in Weiland’s solo work.
3. “Seven Caged Tigers” (Stone Temple Pilots)
As we celebrate the 30th anniversary of Stone Temple Pilots’ Tiny Music… Songs from the Vatican Gift Shop, the album’s closer, “Seven Caged Tigers,” deserves more attention. Ranked among Weiland’s favorite self-authored tunes, this mystical and meditative offering showcases his lyrical prowess. The song’s introspective nature resonates deeply, with lines that reflect the ongoing search for truth and meaning.
4. “Wonderful” (Stone Temple Pilots)
“Wonderful,” the fifth track off Shangri-La Dee Da (2001), captures a bittersweet exploration of existence. With its addictive melody and soothing warmth, the song envelops listeners in a comforting embrace. The live performance featuring Scott Weiland and Chester Bennington adds an emotional layer, making it a poignant moment in rock history given both artists’ tragic fates.
5. “Glide” (Stone Temple Pilots)
Following the frenetic energy of “Sex & Violence,” “Glide” offers a serene musical experience on STP’s fourth album. This evocative track provides listeners with a chill moment while exploring themes of desperation and longing. With smooth vocal lines and a rich soundscape, “Glide” exemplifies Weiland’s ability to blend beauty and complexity in his music.
Conclusion
Scott Weiland’s legacy is vast and multifaceted, with a discography that offers a treasure trove of underrated gems. Each song not only showcases his extraordinary vocal talent but also his ability to connect deeply with listeners. By revisiting these underrated tracks, fans can gain a greater appreciation for the artistry and emotional depth that Weiland brought to the music world.
FAQs
What are some of Scott Weiland’s most famous songs?
Some of Scott Weiland’s most famous songs include “Interstate Love Song,” “Plush,” and “Fall to Pieces.” These tracks are well-known for their commercial success and enduring popularity.
Did Scott Weiland have a successful solo career?
Yes, Scott Weiland had a successful solo career in addition to his work with Stone Temple Pilots and Velvet Revolver. His solo albums, such as “12 Bar Blues” and “Happy” in Galoshes, contain many notable tracks.
What impact did Scott Weiland have on rock music?
Scott Weiland significantly impacted rock music in the 1990s and 2000s, influencing a generation of musicians with his unique vocal style and eclectic approach to songwriting. His work with both Stone Temple Pilots and Velvet Revolver helped shape the sound of alternative rock during that era.
