TESTAMENT and KREATOR have introduced the ‘Klash Of The Titans’ North American excursion with POSSESSED
Q4, the “Klash Of The Titans” makes its triumphant go back to North The usa. Lovers will experience an epic night time of steel with thrash royalty TESTAMENT and KREATOR co-headlining the run.
The 33-date trek will kick off on September 12 in Reno making its manner around the U.S. and can come with seven Canadian dates ahead of concluding in San Francisco on October 27. Becoming a member of the night time are particular visitors Bay Space dying steel pioneers and labelmates POSSESSED.
TESTAMENT states: “Get able North The usa. We’re having a look ahead to a co-headline excursion with our thrash grasp buddies KREATOR. That is gonna be a madhouse of a display with our Bay Space homies POSSESSED opening the display so get there early. TESTAMENT can be appearing an old-school set celebrating the re-release of ‘The Legacy’ and ‘The New Order’.”
KREATOR‘s Mille Petrozza feedback: “We’re very proud to deliver a 2nd version of the ‘Klash Of The Titans’ to North The usa! This time with the Bay house beasts TESTAMENT and one in every of my favourite bands on the planet, POSSESSED. From begin to end, that is steel insanity and we will be able to’t wait to ship our largest displays so far over there!”
Tickets for the excursion pass on sale this Friday, Might 3 at 10 a.m. native time.
Showed dates for TESTAMENT and KREATOR’s co-headlining “Klash Of The Titans” North American 2024 excursion with POSSESSED are:
Sep. 12 – Reno, NV – Grand Sierra Lodge
Sep. 13 – Las Vegas, NV – Area of Blues
Sep. 14 – Salt Lake Town, UT – The Union Match Centre
Sep. 16 – Seattle, WA – Showbox SoDo
Sep. 17 – Portland, OR – Roseland Theatre
Sep. 18 – Vancouver, BC Canada – Style
Sep. 20 – Calgary, AB Canada – MacEwan Corridor
Sep. 21 – Enoch, AB Canada – River Cree On line casino
Sep. 22 – Saskatoon, SK Canada – Coors Match Centre
Sep. 24 – Winnipeg, MB Canada – Burton Cummings Theatre
Sep. 26 – Maplewood, MN – Fantasy Are living
Sep. 28 – Huber Heights, Oh – Rose Track Heart
Sep. 29 – Detroit, MI – Royal Oak Track Theatre
Oct. 01 – Cleveland, OH – The Agora
Oct. 03 – Toronto, ON Canada – Historical past
Oct. 04 – Montreal, QC Canada – MTelus
Oct. 05 – New Haven, CT – School Boulevard
Oct. 06 – Boston, MA – Area of Blues
Oct. 08 – Silver Spring, MD – The Fillmore
Oct. 10 – Montclair, NJ – The Wellmont Theatre
Oct. 11 – Bethlehem, PA – Wind Creek On line casino
Oct. 12 – Raleigh, NC – The Ritz
Oct. 13 – Atlanta, GA – Tabernacle
Oct. 15 – Orlando, FL. – Laborious Rock Are living
Oct. 16 – St. Petersburg, FL – Jannus Are living
Oct. 18 – Houston, TX – White Oak Track Corridor (Garden)
Oct. 19 – San Antonio, TX – The Aztec
Oct. 20 – Dallas, TX – The Manufacturing unit
Oct. 22 – Denver, CO – Fillmore Auditorium
Oct. 23 – Albuquerque, NM – Albuquerque Conference Heart
Oct. 24 – Phoenix, AZ – The Van Buren
Oct. 26 – Los Angeles, CA – Palladium
Oct. 27 – San Francisco, CA – The Warfield
Emerging from the fertile Bay Space thrash steel scene within the Eighties, TESTAMENT carved their area of interest with a legitimate each ferocious and fiercely melodic. At the beginning shaped below the identify LEGACY, the band solidified their lineup with vocalist Chuck Billy and lead guitarist Alex Skolnick along rhythm guitarist Eric Peterson, the band’s sole consistent member.
TESTAMENT unleashed a torrent of significantly acclaimed albums like “The Legacy” and “Follow What You Hold forth,” setting up them as thrash titans along METALLICA, SLAYER and MEGADETH. Their track tackled social problems and darkish subject matters, delivered with Billy‘s distinct growl and Skolnick‘s hovering guitar solos woven into Peterson‘s punishing riffs.
In spite of lineup adjustments, TESTAMENT by no means strayed from their sonic id. They weathered the decline of thrash within the 90s, returning with renewed vigor within the 2000s. Albums like “Darkish Roots of Earth” showcased their enlargement whilst maintaining their signature aggression. Nowadays, TESTAMENT is still a pressure, traveling globally and turning in punishing reside displays that solidify their position as thrash steel royalty.
KREATOR emerged from the German thrash steel scene within the mid-Eighties, changing into a cornerstone of the Teutonic thrash motion. Fronted via the long-lasting vocalist and rhythm guitarist Mille Petrozza, KREATOR prominent themselves with a uncooked, competitive assault and politically charged lyrics.
Their early albums, like “Never-ending Ache” and “Excitement to Kill,” established their sound – pummeling drums, Petrozza‘s venomous rasp, and lead guitarist Jutta Weinhold‘s sizzling riffs. The band explored darker subject matters, delving into social and political turmoil along mythological and anti-religious narratives.
All over the ’90s, KREATOR experimented with commercial and black steel influences, dividing some enthusiasts however showcasing their creative evolution. Albums like “Coma of Souls” and “Renewal” mirrored this shift whilst maintaining their signature thrash basis. In spite of lineup adjustments, the band by no means misplaced their depth.
Nowadays, KREATOR stays a significant pressure in steel, constantly liberating significantly acclaimed albums like “Phantom Antichrist” and “Hate Über Alles.” Their relentless reside displays solidify their popularity as thrash steel veterans, making sure their legacy continues to encourage generations of headbangers.
POSSESSED rose from the ashes of the San Francisco Bay Space thrash scene within the early Eighties, to not mirror, however to redefine. Pioneering a legitimate later dubbed “dying steel,” the band injected a dose of natural sonic savagery and darkish lyrical subject matters into the burgeoning steel panorama.
Led via vocalist/bassist Jeff Becerra along with his guttural growl in contrast to anything else heard ahead of, and guitarist Mike Torrao‘s viciously rapid riffs, POSSESSED conjured a brutal surroundings unrivaled on the time. Their demo “Demise Steel” (1984) was a blueprint for the style, influencing numerous bands.
Landmark albums like “Seven Church buildings” (1985) and “Past the Gates” (1986) solidified their legacy. The track delved into demonic ownership, blasphemy, and the occult, a stark distinction to the extra socially aware subject matters prevalent in thrash.
