The Most Underrated Songs by Legendary Hair Metal Bands

Hair metal, also known as glam-metal or pop-metal, ruled the rock scene during the mid-to-late ’80s. Characterized by catchy hooks, an exuberant attitude, and the striking looks of its performers, the genre attracted considerable attention from major labels. However, amidst the commercial frenzy, many exceptional tracks were overshadowed by mainstream hits and generic copycat music. Our exploration of 11 iconic glam-metal bands reveals some of the most underrated deep cuts that highlight their musicianship and songwriting prowess.

Bon Jovi: “Homebound Train” (New Jersey, 1988)

Bon Jovi undeniably brought a pop sensibility to the glam-metal scene, often raising eyebrows among traditional rock fans. Yet, the album cut “Homebound Train” showcases the band’s harder edge, featuring a mix of slamming drums, a captivating guitar-harmonica-keyboard interplay, and Jon Bon Jovi’s signature raspy vocals. This outlaw-rock anthem deserves more recognition than it typically receives.

Cinderella: “Second Wind” (Long Cold Winter, 1988)

In an effort to carve out their own identity, Cinderella shifted away from their glam image on their second album, Long Cold Winter. The standout track “Second Wind” is a high-energy blues-rock number, boasting powerful riffs and Tom Keifer’s gritty, whiskey-fueled vocals. This song reflects the band’s influences while still shining brightly among the era’s glam-rock offerings.

Def Leppard: “Stagefright” (Pyromania, 1983)

Though “Stagefright” was never released as a single, it became a staple of Def Leppard’s live performances during the Hysteria tour. The track demonstrates the band’s roots in hard rock with its fierce riffs and raspy vocals, paired with a stunning guitar solo from Phil Collen. It’s a powerful example of Def Leppard’s early sound that deserves more appreciation.

Dokken: “Lightnin’ Strikes Again” (Under Lock and Key, 1985)

Following the more aggressive Tooth and Nail, Dokken’s Under Lock and Key leaned toward radio-friendly hard rock without sacrificing their metal roots. “Lightnin’ Strikes Again” is a dynamic track featuring melodic hooks and impressive high notes from Don Dokken. George Lynch’s crunchy riffs and blazing solos solidify this song as a hidden gem in their catalog.

Motley Crue: “Red Hot” (Shout at the Devil, 1983)

On Shout at the Devil, Motley Crue transitioned from a glam-punk band to a formidable metal force. While the album’s hits are iconic, “Red Hot” stands out with its speed metal edge, driven by Tommy Lee’s exceptional drumming and fierce guitar riffs. This track showcases a raw energy that the band would not replicate in later works.

Poison: “Back to the Rocking Horse” (Open Up and Say … Ahh!, 1988)

Produced by Tom Werman, Poison’s sophomore album is a testament to their songwriting talent and charisma. The deep cut “Back to the Rocking Horse” features infectious grooves, massive riffs, and vibrant vocal harmonies. It’s a lively track that captures the band’s essence and should be celebrated among their best works.

Quiet Riot: “Breathless” (Metal Health, 1983)

Quiet Riot’s Metal Health made history as the first heavy metal album to reach the top of the Billboard 200. “Breathless,” a powerful rocker from the album’s second side, combines Iron Maiden-esque gallops with Kevin DuBrow’s piercing vocals, asserting the band’s metal credentials while showcasing their knack for catchy songwriting.

Ratt: “You’re in Trouble” (Out of the Cellar, 1984)

Ratt’s debut album established them as heirs to the glam-metal throne, and “You’re in Trouble” stands out among the non-singles. The track features a strutting bass line, snarling vocals, and an incredible guitar solo from Warren DeMartini, highlighting the band’s streetwise swagger and musical chops.

Skid Row: “The Threat” (Slave to the Grind, 1991)

Skid Row’s sophomore effort, Slave to the Grind, marked a shift from glam to a heavier metal sound. “The Threat” is a standout track that captures the album’s intensity, featuring down-tuned riffs and Sebastian Bach’s extraordinary vocal delivery. The song’s exhilarating energy is irresistible and deserves recognition.

W.A.S.P.: “The Flame” (W.A.S.P., 1984)

W.A.S.P.’s self-titled debut introduced their provocative style to the glam-metal scene. However, “The Flame” reveals a more melodic side with its simple riff and catchy chorus, showcasing Blackie Lawless’s songwriting talent beyond shock value.

Warrant: “Love in Stereo” (Cherry Pie, 1990)

Despite being dismissed by critics as another glam band, Warrant’s “Love in Stereo” from Cherry Pie features clever lyrics and an infectious sound. With its playful ode to threesomes, catchy riffs, and lively piano solo, the track embodies the fun spirit of the genre and deserves a place in the spotlight.

Conclusion

The hair metal genre, often pigeonholed for its mainstream hits and flashy aesthetics, is rife with underrated tracks that showcase the true depth of its artists. From Bon Jovi’s outlaw anthems to Warrant’s cheeky charm, these hidden gems reflect the diverse musicianship and creativity that defined an era. As we celebrate the legacy of glam-metal, these songs remind us that there was much more to the genre than meets the eye.

FAQs

What is hair metal?

Hair metal, also referred to as glam-metal or pop-metal, is a subgenre of rock music that combines elements of hard rock and heavy metal with catchy melodies, pop hooks, and flamboyant aesthetics.

Why are some hair metal songs considered underrated?

Many hair metal songs are deemed underrated because they were not released as singles or did not receive mainstream attention, despite showcasing exceptional musicianship, songwriting, or a unique sound.

Can you name some other notable hair metal bands?

In addition to the bands mentioned in this article, other notable hair metal bands include Whitesnake, Extreme, and Scorpions, each contributing to the genre’s rich history.

What are some defining characteristics of hair metal music?

Hair metal is characterized by its catchy choruses, polished production, glam-inspired fashion, and themes often revolving around partying, love, and rebellion.