Deathcore’s Resurgence: SIGNS OF THE SWARM’s “To Rid Myself of Truth”
A Year of Heavyweights in Deathcore
2023 is shaping up to be a landmark year for deathcore, with standout releases from established names like WHITECHAPEL and SHADOW OF INTENT, alongside anticipated albums from rising acts such as LORNA SHORE and DESPISED ICON. Once ridiculed for its clichés, the genre has evolved into a formidable force, showcasing a raw energy that continues to captivate fans.
SIGNS OF THE SWARM: A Journey of Persistence
Pittsburgh’s SIGNS OF THE SWARM have carved out their niche in the scene through relentless dedication. Since their 2016 debut, they have steadily climbed the ranks with impactful releases. Their discography, from the 2017 “The Disfigurement of Existence” to the experimental “Absolvere” (2021) and the gritty “Amongst The Low & Empty,” highlights their inventive approach and unwavering commitment to pushing boundaries.
An Unyielding Assault: “To Rid Myself of Truth”
Their latest offering, “To Rid Myself of Truth,” may well stand as their most significant work yet. This album is characterized by an overwhelming intensity and undeniable heaviness, marking a new pinnacle in their evolution.
Collaborations with Heavyweights
The album features contributions from notable figures in the deathcore scene, including Will Ramos of LORNA SHORE and Phil Bozeman from WHITECHAPEL. These collaborations serve as a testament to the band’s credibility and influence, showcasing their ability to stand shoulder to shoulder with some of the genre’s most respected voices.
Track-by-Track Breakdown
Opening Assault: “To Rid Myself of Truth”
The title track sets the tone with a savage blend of mid-tempo aggression and dissonance, driven by Simonich’s primal screams that infuse the music with dramatic tension.
Controlled Chaos: “Hellmustfearme”
This track escalates the intensity with an abrasive soundscape designed to ignite mosh pits. The relentless blast beats and chaotic rhythm create an atmosphere of unrestrained violence.
Innovative Deconstruction: “Natural Selection”
In “Natural Selection,” the band deconstructs traditional deathcore elements, infusing their sound with an unsettling array of noise and distortion that challenges genre norms.
Emotional Depth: “Scars Upon Scars”
This song captures a raw emotional weight, with a unique groove that complements Simonich’s seething vocal delivery, making it one of the album’s standout tracks.
Guest Appearances
Will Ramos adds his fierce vocal style to “Clouded Retinas,” while Phil Bozeman unleashes his ferocity in “Iron Sacrament.” The track “Fear & Judgement” introduces hardcore elements, featuring Jack Murray and Johnny Crowder, who elevate the intensity alongside Simonich.
Conclusion: A Masterclass in Modern Deathcore
“To Rid Myself of Truth” serves as a definitive statement in SIGNS OF THE SWARM’s career, merging brutality with a level of sophistication that is both refreshing and exhilarating. The album’s closing track, “Creator,” encapsulates their mission with its gut-wrenching sound and relentless energy. As the lines between chaos and artistry blur, SIGNS OF THE SWARM continue to redefine what heavy music can be, leaving listeners entranced and eager for more.
FAQs
What is the significance of “To Rid Myself of Truth”?
This album represents a culmination of SIGNS OF THE SWARM’s evolution, showcasing their heaviest and most impactful work to date.
Who are the guest vocalists featured on the album?
The album features guest appearances from Will Ramos of LORNA SHORE and Phil Bozeman of WHITECHAPEL, along with Jack Murray and Johnny Crowder on “Fear & Judgement.”
How does this album compare to their previous works?
“To Rid Myself of Truth” is heavier and more refined than their earlier releases, incorporating innovative arrangements and a broader emotional range.
Is the album accessible for newcomers to deathcore?
While it may be intense, the album’s inventive sound and collaborations make it a compelling entry point for those new to the deathcore genre.
