The Evolution of Westerman’s Sound

Introduction to "S. Machine"

Westerman’s latest work retains some of the wooziness characteristic of his early music. The introductory track, “S. Machine,” sets the stage for a more unconventional album, featuring erratic synthetic horns reminiscent of both Bon Iver’s 22, A Million and the whimsical animations of an Animusic DVD.

A Complex Yet Soothing Soundscape

Collaborative Influence of Stella Mozgawa

What follows the introduction is a soothing yet intricately layered sound, largely attributed to the contributions of Stella Mozgawa, the drummer for Warpaint and Kurt Vile. Her multifaceted drumming on tracks like “Adriatic” captures Westerman’s inherent restlessness. The subtle dropped beats she introduces in “Mosquito” juxtapose serenity with an underlying sense of dread, enhancing the emotional depth of the song.

Vocal Clarity and Range

Westerman’s vocal delivery has evolved, now sounding clearer than in his previous records. He often ventures into his lower vocal range, moving away from the Bon Iver-esque falsetto prevalent in earlier works. This shift not only showcases his versatility but also brings a humorous touch to “Adriatic,” where he whimsically declares, “I head back to Ithaca,” only to follow up with the dramatic “not New York.”

The Standout Track: “Weak Hands”

A Journey Through Mortality

The track “Weak Hands” represents a significant milestone for Westerman as it was the first collaboration with producer Salogni. Lyrically, it explores profound themes of existentialism, contemplating the mortality of an unnamed figure. The poignant lines, “Look at you running, my friend, to that desert in the sky… My dear, my hologram, my lord of mirrors/It’s coming,” encapsulate the song’s reflective nature.

Musical Influences and Innovations

“Weak Hands” revisits the rudimentary synths from Westerman’s earlier album, Your Hero Is Not Dead, but elevates them to fit the ornate arrangements akin to Inbuilt Fault. The track features a surreal wall of sound, supported by Ben Reed’s lightly overdriven bass, creating a rich auditory experience. While it draws inspiration from art-rock legends like Talk Talk and Peter Gabriel, Westerman’s unique combination of these influences, paired with his raw vocal delivery, gives the song a fresh perspective.

Conclusion

Westerman’s latest project marks a notable evolution in his musical journey. By blending complex soundscapes with introspective lyrics and a newfound vocal clarity, he continues to carve out a distinct identity in the modern music scene. The interplay of soothing melodies and existential themes invites listeners to explore both the familiar and the novel, making this album a compelling addition to his discography.

FAQs

What themes are explored in Westerman’s latest album?

Westerman’s latest album delves into themes of existentialism, mortality, and personal reflection, often conveyed through abstract and esoteric lyrics.

Who contributed to the drumming on the album?

Stella Mozgawa, known for her work with Warpaint and Kurt Vile, contributed her drumming and percussion skills to enhance the album’s complexity.

How has Westerman’s vocal style changed in this album?

Westerman’s vocal delivery has shifted from a falsetto style to a clearer, lower range, allowing for a more expressive and varied performance.