The Evolution of Wolf Alice: Navigating Fame and Identity

The Burden of "That Song"

If you’re an indie rock band, especially a British one, achieving mainstream success often hinges on the existence of That Song—the quintessential track played at every gig, the one that resonates with fans and even their parents. This song, however, can become a double-edged sword. While it may catapult a band into the spotlight, it can also lead to frustration and disillusionment. Many artists find themselves performing a song they’ve outgrown, delivering it with an air of faux reluctance as the crowd sings along, perhaps overshadowing their artistic growth.

Wolf Alice: A Unique Trajectory

The Absence of a Defining Hit

As of now, Wolf Alice has not been pinned down by the constraints of That Song. Their most prominent track, “Don’t Delete the Kisses,” possesses a naïveté that feels intentionally crafted. Unlike many bands, Wolf Alice’s sound is characterized by a wide-ranging exploration of themes and emotions. Their earlier work, such as the grunge-infused “Fluffy,” showcases an honesty that defies arrogance, focusing on aspirations and the universal quest for something greater than the self.

Exploring New Themes

Their latest record, The Clearing, has drawn comparisons to autofiction and the works of Miranda July, focusing on self-exploration and the search for meaning. However, with high aspirations come challenges; previous albums have felt somewhat uneven, leaving fans wondering if this latest release will finally propel them to the next level.

The Stakes of The Clearing

A Glossier Production

With their fourth LP, Wolf Alice faces the same pressures that have followed them since their inception: they are beloved locally and electrifying live, but can this album break them into the mainstream? The Clearing boasts a more polished production than its predecessors, yet at times, it feels lacking in depth—like shadow puppets that cast large figures but miss the intricate details.

Analyzing the Tracks

• Thorns: The album opens with “Thorns,” a rich and bitter exploration of self-inquiry, enhanced by dramatic strings and a looping refrain that reflects on the act of creating music itself.
• Bloom Baby Bloom: This track is higher-energy and more commercial than what fans might expect. Despite its glossy production, Ellie Rowsell’s acidic vocals provide a grounding force. The song grapples with ambition while simultaneously feeling restrained, epitomized in the poignant line: “Look at me trying to play it hard/I’m so sick and tired of trying to play it hard.”

Production Influences

The involvement of producer Greg Kurstin, known for his work with pop icons like Adele, brings an unexpected piano-driven dynamic to the album. His influence is evident, with elements reminiscent of pop hits such as “Famous” by Charli XCX and Carly Rae Jepsen’s “Boy Problems,” both of which have shared space in the playlists of Wolf Alice fans.

Conclusion

Wolf Alice continues to navigate the complexities of fame and artistic integrity in the ever-changing landscape of the music industry. While they may not yet have a defining anthem that resonates universally, their commitment to exploring deeper themes and pushing musical boundaries sets them apart. As they unveil The Clearing, fans and new listeners alike will be watching closely to see if this album can bridge the gap between artistic ambition and mainstream success.

FAQs

What is Wolf Alice’s most popular song?

As of now, Wolf Alice’s most popular track is “Don’t Delete the Kisses,” although they have not been defined by a single hit.

How does Wolf Alice describe their music?

Wolf Alice’s music is characterized by a blend of grunge, indie rock, and pop, often exploring themes of self-discovery and aspiration.

Who produced The Clearing?

The Clearing was produced by Greg Kurstin, known for his work with several high-profile pop artists, including Adele and Charli XCX.

What are some themes in The Clearing?

The album delves into self-exploration, ambition, and the tension between personal desires and public expectations.