Exploring Rhythm, Timbre, and Pitch in Goat (jp)’s Latest Collaboration

The Legacy of Karlheinz Stockhausen

In the realm of avant-garde music, Karlheinz Stockhausen’s 1957 composition “Kontakte” stands out for its innovative exploration of sound. The piece features a buzzing tone that erupts into a cloud of sporadic pulses, showcasing the interconnectedness of rhythm, timbre, and pitch. Stockhausen referred to this as the “concept of unity in electronic music,” a notion that highlights the extraordinary ability of electronic instruments to manipulate sound. This foundational idea has influenced countless musicians, including Koshiro Hino, the leader of the innovative Osaka band goat (jp).

Goat (jp)’s Unique Approach to Composition

In a striking departure from Stockhausen’s electronic focus, goat (jp) employs traditional instruments such as guitar, saxophone, and bass, using them as percussion instruments to create human-powered simulations of programmed polyrhythms. By embracing the imperfections and nuances of live performance, the band emphasizes the creative tension that arises from human fallibility.

Collaboration with Cindy Van Acker

The band’s latest record, “Without References / Cindy Van Acker,” emerged from a collaboration with Belgian choreographer Cindy Van Acker. Commissioned for her 2021 dance piece following the passing of her longtime collaborator Mika Vainio, the album reflects Van Acker’s exploration of mediated perception through movement and sound. The physicality of goat (jp)’s performances enhances the emotional depth of the work.

A Shift in Compositional Style

The score for “Without References” dates back to 2020, prior to the band’s 2023 album “Joy in Fear.” This new work signifies a notable textural evolution from their 2015 release “Rhythm & Sound.” Following the departure of drummer Tetsushi Nishikawa in 2016, Hino began to delve into the metallic textures found in Indonesian gamelan and Korean kkwaenggwari, creating hypnotic soundscapes.

Track Analysis: “Throne hh” and “Orin”

The track “Throne hh” showcases a seemingly erratic sequence of gongs, grounding listeners with a persistent friction drum. The piece’s structure may confound the ear, yet its rhythmic complexity captivates. Conversely, “Orin” embodies a stuttering, off-kilter rhythmic approach, manifesting as a 10-minute sonic exploration. Starting as a rhythmic Rorschach test, “Orin” features three metallic tones whose relationships shift based on listener focus. As the composition unfolds, sporadic bells break through the layering, revealing Hino’s skill in balancing groove and imbalance.

The Physicality of Human Performance

Goat (jp)’s mimicry of machine-like precision transcends mere gimmickry. While some may view their pursuit of mechanical accuracy as impractical, the subtle tics introduced by human performance evoke a physicality that technology cannot replicate. The track “Factory” exemplifies this concept, beginning with a relentless barrage of clicks that may initially resemble an overly tight electronic loop. However, as the piece progresses, minute variations in stress and interval surface, emphasizing the human touch in the music.

Conclusion

Through their innovative approach to rhythm, timbre, and pitch, goat (jp) redefines the boundaries of contemporary music. By embracing human imperfection and collaborating with visionary artists like Cindy Van Acker, they create a dynamic interplay between sound and movement. Their latest work not only honors the legacy of pioneering composers like Stockhausen but also carves out a unique space in the avant-garde landscape.

FAQs

What instruments does goat (jp) use in their compositions?

Goat (jp) primarily uses guitar, saxophone, and bass, employing these instruments as percussion to create intricate rhythmic patterns.

Who is Cindy Van Acker, and what is her role in goat (jp)’s latest project?

Cindy Van Acker is a Belgian choreographer who collaborated with goat (jp) for her 2021 dance piece “Without References,” which explores mediated perception through movement.

How has goat (jp)’s sound evolved over the years?

The band’s sound has shifted from the warmer textures of their 2015 album “Rhythm & Sound” to a more metallic and hypnotic style influenced by Indonesian gamelan and Korean kkwaenggwari.

What themes are explored in the track “Orin”?

“Orin” explores the interplay between three metallic tones, emphasizing rhythmic complexity and the shifting relationships between sounds as the piece develops.

What makes goat (jp)’s approach to rhythm unique?

Goat (jp)’s approach is characterized by a stuttering, off-kilter rhythm that highlights the imperfections of human performance, contrasting with the precision often associated with electronic music.