Little Feat: The Ever-Evolving Collective
Little Feat, a band synonymous with musical evolution, often experiences a revitalization whenever a new voice joins its ranks. While the legacies of late frontman Lowell George and modern-day leader Bill Payne are well-documented, it is often the introduction of fresh talent that reignites the band’s creative spirit.
The Impact of New Blood
The incorporation of guitarist Paul Barrere, bassist Kenny Gradney, and percussionist Sam Clayton in 1973 marked a turning point for Little Feat. Their contributions infused the band’s sound with a jolt of funk and soul, particularly evident in the album Dixie Chicken, which showcased a richness that had been absent in the group’s earlier work. This pattern continued when Fred Tackett, initially an occasional collaborator, stepped into a full-time role, bringing a renewed focus on songwriting that culminated in the success of the 1988 album Let It Roll.
Introducing Scott Sharrard
The forthcoming album Strike Up the Band represents yet another chapter in Little Feat’s storied history. It is the band’s first collection of original songs since 2012’s Rooster Rag and features Scott Sharrard, who joined the touring lineup in 2019 after the passing of Barrere. Sharrard’s lifelong admiration for the band and his experience as a musician add a refreshing dynamic to the collective.
A Collective Sound
Little Feat remains very much a musical ensemble, with each member contributing vocally and creatively. Clayton, who is featured on the Grammy-nominated blues track “Sam’s Place,” along with Payne, Tackett, Sharrard, and drummer Tony Leone, has a hand in writing or co-writing every song on the new album. The band’s signature sound continues to be a thrilling blend of country-infused R&B, blues, and a lively hootenanny vibe, characterized by an unmistakable camaraderie that resonates through every track.
Highlights from Strike Up the Band
The album opens with “4 Days of Heaven, 3 Days of Work,” co-written by Payne, Sharrard, and Leone, which sets an energetic tone with its infectious groove. Sharrard, known for his collaboration with Gregg Allman, showcases his songwriting prowess in the horn-driven track “Midnight Flight.” Additionally, the title track features Larkin Poe, adding a unique twang to the composition. True to form, Little Feat maintains its tradition of humor with the cleverly titled “Too High to Cut My Hair,” co-written by Sharrard and Tackett.
The Enduring Legacy of Bill Payne
Despite the new additions, Bill Payne continues to be a pivotal force within the band. He infuses his distinct style into tracks like “New Orleans Cries When She Sings” and “Dance a Little,” while also revisiting “Bluegrass Pines,” a piece born from his collaboration with Grateful Dead lyricist Robert Hunter. With an abundance of new material, Little Feat finds itself in a promising position, suggesting that fans may not have to wait another 13 years for their next album.
Conclusion
Little Feat’s ability to adapt and grow through the introduction of new talent is a testament to its resilience and creativity. With Scott Sharrard leading a reworked lineup, the band continues to forge ahead, blending their rich history with fresh sounds and perspectives. Strike Up the Band promises to be a celebration of this evolution, ensuring that the spirit of Little Feat remains vibrant and relevant in the ever-changing landscape of music.
FAQs
What is the significance of Scott Sharrard in Little Feat’s current lineup?
Scott Sharrard brings a fresh perspective and energy to Little Feat as a lifelong fan and musician, having joined the band to replace the late Paul Barrere. His contributions to songwriting and performance are pivotal in the band’s ongoing evolution.
When was the last original album released by Little Feat before Strike Up the Band?
The last original album released by Little Feat prior to Strike Up the Band was Rooster Rag, which came out in 2012.
How does the album Strike Up the Band reflect the band’s musical style?
Strike Up the Band showcases Little Feat’s distinctive sound, blending elements of country, R&B, and blues while maintaining their trademark humor and camaraderie within the music.
Who are the main contributors to the songwriting on the new album?
The songwriting on Strike Up the Band is primarily contributed by Bill Payne, Scott Sharrard, Fred Tackett, and Tony Leone, highlighting the collaborative nature of the band.
