Melvins 1983: Revisiting Their Roots with Thunderball
To rework their tangled history, or perhaps to better organize their prolific release schedule, Melvins have introduced a series of albums over the past dozen years under the banner of Melvins 1983. This name pays homage to the year they formed in Washington and strategically aligns with the heavier, less experimental sound that characterized their early days.
A Classic Lineup
The designation of Melvins 1983 also highlights a streamlined lineup consisting of founder Buzz Osborne, original drummer Mike Dillard—who was part of the band before their 1986 debut EP—and current drummer Dale Crover, a band member since 1984. Crover’s historical significance is notable as he played on Nirvana’s 1988 demo, and Osborne famously recommended Dave Grohl to Kurt Cobain when Nirvana needed a new drummer in 1990.
Thunderball: A New Addition to Their Discography
Thunderball is the third album credited to Melvins 1983, and it remains consistent with the sound found in their previous release, 2024’s Tarantula Heart. Both albums feature five tracks and clock in at just under 40 minutes. They showcase a variety of unusual ideas that will please longtime fans while steering clear of overly familiar territory. Few artists can boast the level of consistency that Melvins have demonstrated across their 28 albums.
The Collaborative Sound
On Thunderball, Osborne and Dillard are joined by Void Manes, who provides “noise, creepy machine vocals,” and Ni Maitres, credited with “noise, upright bass, hand gestures.” While Crover does not play on this album, he remains an integral part of the band. The contributions from these guest electronic artists blend seamlessly into the Melvins’ signature sound. For instance, the two-minute instrumental “Vomit of Clarity” effectively connects the straightforward opener “King of Rome” to the sprawling 12-minute track “Short Hair With a Wig.”
Staying True to Their Roots
Thunderball adheres closely to the Melvins playbook, featuring muddy riffs that meander at a slow, deliberate pace. Two tracks extend beyond the 10-minute mark, showcasing the band’s penchant for lengthy compositions. “King of Rome” could easily belong to their earlier discography, while “Victory of the Pyramids” maintains its intensity throughout its 10-and-a-half-minute runtime. Despite the involvement of Manes and Maires, Thunderball undeniably reflects the Melvins’ essence—persistent, uncompromising, and victorious, much like their output over the past four decades.
Conclusion
With Thunderball, Melvins 1983 continues to explore their roots while pushing the boundaries of their sound. This latest album reaffirms their status as a vital force in rock music, demonstrating that they remain relevant and innovative, even as they pay homage to their origins. As reports of the death of rock music circulate, the Melvins stand tall, proving that the genre is far from over.
FAQs
What is the significance of the name Melvins 1983?
The name Melvins 1983 refers to the year the band was formed and reflects their return to a heavier sound reminiscent of their early days.
Who are the current members of Melvins 1983?
The current lineup includes founder Buzz Osborne, original drummer Mike Dillard, and long-time drummer Dale Crover.
What can listeners expect from the album Thunderball?
Thunderball features five tracks filled with muddy riffs, lengthy compositions, and a blend of electronic sounds that maintain the band’s signature style.
How does Thunderball compare to previous Melvins albums?
Thunderball remains consistent with earlier works, showcasing a blend of new ideas while staying true to the Melvins’ established sound.
Are there any guest artists on Thunderball?
Yes, Void Manes and Ni Maitres contribute electronic elements to the album, though their sound integrates smoothly into the Melvins’ music.
